Shrine platform · Texas Hill Country

The Lotus

28 ft across · 8 petals · 9 yd³ · poured in one morning

The platform in use: the fire lit on the plinth, the shrine's pavilion beyond.
Key
1The shrine's pavilionShirdi Sai Baba, on the axis of the platform
2The fire, litOn the square plinth at the centre
3Cast petalsEight, in two rings; pebble joints between them
4The rimSteel edge; the bank below it planted
5River rockThe foot of the bank, laid to take the rain
6Live oakKept; nothing cut inside the drip line
The Lotus from straight above: eight cast petals around the square base, pebble joints between them, under live oaks.As built · straight down
The platform seen through the live oaks.Through the oaks
The whole figure from a low pass.A low pass
The Lotus
Shrine platform · Texas Hill Country
Prepared by
NOONDesign ☉ Build ☉ Systems
Issue
09.2026
Studio
San AntonioAustin · By commission anywhere
Sheet
L-1
Design ☉ Build ☉ SystemsSan AntonioAustinBy commission anywhereHablamos español

Design narrative · Attachment A

The Lotus

Fig. 01 · The forms set on the prepared ground: one family of birch ribs to each petal, the mesh going in

It was commissioned as the platform for a Shirdi Sai Baba shrine. The oldest symbol of emergence, built in the least forgiving material there is.

01The symbol

Baba taught that every faith is one road to a single door, and told those who came to him to be a lotus: unfolding when the sun rises, unaffected by the slush. The patrons wanted that said in the ground itself, at a scale a person can walk into and sit down inside.

Eight petals, radial and exact, in concrete that gives you one try.

02The forms are the real sculpture

Each petal wanted a family of birch ribs, not one mold — laminated plies bent to the drawing, faces sealed so the cured concrete would let go clean, every rib numbered because pour morning leaves no time to wonder which curve is which.

03Pour day
10:30
The truck arrives
9 yd³
Placed by chute into the petal forms
6½ hrs
On site
By five
It was ground
04By the numbers
Across28ft
Petals8
Poured9yd³
On site6½hrs
05Sequence
I
Drawing
II
Forms
III
Haul
IV
Pour
V
Finished

Reads withL-1 Pour day · R Register · C Begin

The Lotus
Design narrative
Prepared by
NOONDesign ☉ Build ☉ Systems
Issue
09.2026
Studio
San AntonioAustin · By commission anywhere
Sheet
A
Design ☉ Build ☉ SystemsSan AntonioAustinBy commission anywhereHablamos español

Start to finish · Sheet L-1.2

Concrete gives you one try.

Fig. 01 · The Lotus · the film · ground, form, pour, finished · 1 min 16

Working out the petal geometry at the shop bench: pencil on paper, the dimensioned plan open on the phone.
IDrawing
The ribs in the shop: laminated birch, bent to the drawing on a jig made for each curve.
IIForms
The eight petal forms laid out dry on the yard to check the figure before the haul.
IIIHaul
Nine cubic yards by chute: the truck at the edge of the site, the chute over the forms.
IVPour
The Lotus and the shrine's pavilion on one axis, from the air.
VFinished
Pour day from above: the eight petals placed and screeded, the surface still wet, the finisher at the plinth.
Fig. 02 · Pour day from above
The Lotus
Start to finish
Prepared by
NOONDesign ☉ Build ☉ Systems
Issue
09.2026
Studio
San AntonioAustin · By commission anywhere
Sheet
L-1.2
Design ☉ Build ☉ SystemsSan AntonioAustinBy commission anywhereHablamos español