Brass aqueduct, residential.
A hand-formed brass aqueduct carrying captured rainwater across a residential garden. Patina photographed across six months.
Sculpture. Music. Ceremony. The Lotus.
Most landscape is infrastructure pretending not to be. We begin from the opposite premise.
A fountain that meditates. An aqueduct as sculpture. A bioswale to sit at.
250 years of acequia. Stone. Wood. The music we play across the work.
A nine-petal brass-and-stone fountain sited above the Edwards Aquifer recharge zone. It is hydraulic infrastructure that also functions as ritual object. Petals catch incoming rainfall and route it through a recirculation system to a central basin that runs at near-zero net water cost. Designed for sound, light, and the feeling of standing inside a thing built with intention.
Read the project →A working index of Noon's cultural output and collaborations. Most are in progress — we publish artifacts as they reach a state worth recording.
A hand-formed brass aqueduct carrying captured rainwater across a residential garden. Patina photographed across six months.
Field recordings made at functioning bioswales after rain. The acoustic signature of water moving through a properly-graded system.
A reading of the 250-year-old San Antonio acequia system as a piece of distributed musical composition. Forthcoming in a Source research entry.
Documentary photo series on the dry-stone craft used in Noon's hardscape work. Lessons from Hill Country masons, recorded before the knowledge thins further.
Small gatherings at completed properties — soft openings, water blessings, harvest dinners. Documentation lives with the client by default; subset published with consent.
A tile cycle planned for a private courtyard — iconography of the Edwards Plateau watershed, rendered as a walked composition.
A residency program at Johnson Ranch — one artist per season for two weeks. Sculpture, photography, music, writing. The output stays with the artist; one piece per residency joins the archive.
A guitar built from a single Hill Country mesquite. The tree, the wood, the instrument, the recordings made with it — tracked together as one cultural object.
Artists, musicians, writers, sculptors, ceremonialists — the archive is open. Tell us what you make and where you'd like to meet the work.